IMAGES AVEC DRONE
Amazing Thailand
Voyages & drone
Aenaria production and its director and drone pilot Ludovic GICQUEL, certified DGAC (General Directorate of French Civil Aviation, scenario S1-S2-S3-S4) have been entrusted with aerial image coverage by drone of pretty islands in the south from Thailand. The goal is to produce a film retranscribing the beauty of these places. White sand beach, turquoise sea, everything is there. And you, do you want to sublimate places or buildings?
The shooting of this promotional video was done in early February 2019. This institutional film was made with the aim of creating an effective communication support to promote the islands of southern Thailand.
The Mavic 2 Pro drone was selected for this project for its mobility and weight allowing it to fly up and down at a time. In addition, the possibility with this drone to shoot images in resolution (4K) makes it particularly effective. Its use for shooting with 30 km / h of wind and driving rain enabled him to prove it.
Once the filming was finished, the editing of this film was done under the Adobe suite under Premiere Pro CC and After effect.
The post-production color processing is one of the keys to the realization of communication video for the web. We had to sublimate the landscapes in such a way as to make an impression with this digital promotion film for Thailand.
We have therefore worked with a film editing technique with many elements of speedgrade and the Lumetri panel of Premiere Pro CC 2017. These techniques are essential in the realization of communication film that all cinematographer or film production must know how to master.
We then had to recreate each of the sounds that may have existed during the scenes shot. The sound mix and its mastering were done on Audition offering a remarkable rendering.
If you want more information about this film project in drone or we are conducting a study of your video project or film communication, contact us with the form in French or English, we will respond as soon as possible .
